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Artists should strive to draw like a child. Confidence, instinct, no hesitation. In this reflection, I explore how early creative certainty shapes my work today, why mastering nature’s rules matters, and why true expression begins when discipline gives way to instinct. This is about reclaiming boldness, trusting the subconscious, and painting without fear.

A post with two, new, watercolor nudes.

There is nothing worth reading in this post.

I distinguish between making art and making exhibit-worthy work I’m proud to put my name on. Even though I produce a lot, only a few pieces fully express my message. “Holy” is my model: confident, intentional marks; feminine without strict realism; a confident moment with a hint of voyeurism; and a nod to past masters. I reject critique that hides behind “nature” instead of artistic intent.

I discuss my dabbles into AI art and the AI art focused websites and social media platforms.

Continuing my focus on making things feel "real" and honing my realism.

This post examines where fine art nudity ends and eroticism begins. Through a focus on drawing the body as physical form rather than symbol, it argues that no nude body is inherently vulgar. The line is crossed not by pose, but by interaction, intention, and narrative.

Women As Christ is a three-part painting series exploring belief, consequence, and transcendence through the female form, echoing Christian narrative without literal depiction. It presents women as bearers of moral authority rather than purity or temptation. Across Sermon, Crucifixion, and Ascension, judgment is rendered by people, endured by the body, and ultimately escaped through a transcendence beyond mortal reach.

Reflecting on recent feedback from an illustration class, I’m focusing on giving my figures more depth and physical presence. I realized I tend to draw in outlines rather than thinking in planes, so I’m returning to Bridgman’s approach to better understand form, volume, and perspective. This focus will guide my upcoming sketches, alongside a newly finished 24” × 30” painting, Pink Nude, coming to my site soon.

This post reflects on my belief that true passion is driven by the self, not by external validation. I question whether a passion would still matter if no one else were around, and conclude that mine would. I know I would always continue to paint and draw, regardless of circumstance. I also mention starting two new oil paintings; one completing my “Woman’s Journey As Christ” series and one simple nude, both currently drying.

I’m finally on a 14-day winter break and just shipped a private pastel commission. I adjusted the composition to better unify the figures while ensuring the woman remained the dominant, strong focal point, in the spirit of Gustav Klimt. While I enjoy the quick results of AI, I find the "empty" trend-chasing of NFT culture tiresome and lacking fulfillment. I look forward to creating more traditional work soon.

I discuss my first couples commission and my Illustration/Storytelling class homework!

I talk about the release of Zebslop, my AI collaboration page, and discuss artificial intelligence/NFTs.

The past few weeks covered a full snapshot of my creative routine, including five essays on my weekday art process. I worked through graphite anatomy studies, AI image generation and prompt testing, and a freeform gel pen drawing session. All artwork is shown here, with deeper discussions and essays available to Patreon supporters, including exclusive content for Collectors.

I ponder marketability and supporting my art like a child.

I used to want to paint like famous artists in style, but now I want to share their mindset, passion, honesty, and philosophy. Their words guide my work now more than their images. I’ve built a small library of highlighted words from Pablo Picasso, Robert Henri, Henri Matisse, and Andrew Wyeth.

Mid month creation batch update!

Graphite and pen sketches!

It’s been a busy few weeks, but I’ve kept on sketching. For my illustration class I’m creating comic series titled "Rent Is Due". It's a dialogue between two prostitutes in some sort of dated apartment where they'll discuss life. This is heavily inspired by Jeff Jones’ "Idyl" and "I’m Age" comics. I’m continuing to refine my anatomy studies, starting a Europe-inspired oil painting, and reflecting on AI art for a future essay.

A return visit to the Rijksmuseum leaves new impressions: Frans van der Mijn’s imagined Portrait of a Young Woman reflects true understanding over imitation, Jan de Baen’s The Corpses of the DeWitt Brothers exposes humanity’s cruelty, and Annie Roland Holst-de Meester’s haunting self-portrait proves quiet beauty can outshine violence.