My recent watercolor painting began with Judith & Holofernes in mind, inspired by the dramatic interpretations of artists like Caravaggio and Gustav Klimt. But as I pushed the work further, it drifted away from that original narrative and became something quieter and less violent. I’m still deciding on a final title, though “The Perfect Man” currently feels the closest.

Women in art are often reduced to objects of desire or stripped of sexuality to remain acceptable. I reject both extremes. My work exists where the body is whole—neither censored nor simplified, but presented fully and without apology.

I ponder marketability and supporting my art like a child.

Mid month creation batch update!

Graphite and pen sketches!